W3 Tutorials (start at HTML on the left sidebar and work your way down) You won’t get into the nitty-gritty, but don’t worry about it for now: Just visit one of these fine resources and follow their high-level tutorials. Never written a line of code before? No worries. Here’s my list of resources for learning to code, sorted by difficulty: I’ve found a couple to be particularly successful. There are a lot of resources out there to teach you. But peel away the obscurity and the difficulty, and you start to learn that coding, at least at its basic level, is a very manageable, learnable skill. (note: yes I realize that 3/5 of those links were Google projects)īut most folks are intimidated by coding. Learning to code elevates your professional life, and makes you more knowledgeable about the massive changes taking place in the technology sector that are poised to have an immense influence on human life. It’s no secret that being able to code makes you a better job applicant, and a better entrepreneur. Hell, one techie taught a homeless man to code and now that man is making his first mobile application. I’ve said this to my non-techie friends countless times. They’re a good way to start if you’re having trouble.Īnd lastly, Proko has a few good videos on gesture and quick poses! If you find it hard to actually find the motion and the gesture in the pose, I recommend practicing on cats instead.Ĭats are a lot simpler than humans, and as they’re so flexible the motion is more obvious. If you struggle to finish the pose before the image changes, set it to 2 minutes and spend more time looking at the photo! You can practice this at home using pixelovely’s figure drawing tool - set the timer to 1 minute, and try finding the gesture. If you jump right into the drawing, you’ll actually take longer because you don’t know what you’re drawing. If you have a minute to draw the pose, spend thirty seconds studying the model! Most of this time you should spend looking for that motion rather than drawing. In a life drawing session, you’ll generally be given a minute to two minutes to spend drawing before the model changes pose. You’re trying to convey as much as you can in one line, because you’re only spending a couple seconds on it! The more you can draw with one stroke, the quicker it’ll be done. Those are gestures I spent a couple minutes on to make them look nicer lmao, but this stage is really quick - this one took about thirty secondsĪlso a lil tip: When drawing the gesture, you want to use long continuous strokes. It’s essentially like drawing stick-men, as you’re drawing lines rather than contours. You can then build the forms on top of the gesture. This is the gesture - it does not yet look like a person because there is no form or contour, but it should still give you a sense of the pose and its motion! Once you’ve found the motion, you can then draw it. Look for the motion, the lines that travel through the body. So before you draw anything, take some time to look at what you are going to draw. When working from life, the image of what you want to draw is already in front of you. It’s the first stage to any drawing, it helps to have a general idea of what you want to draw down on the page before you jump into the details. Forget about form, forget about contour, gesture is about the feeling and the motion! This is called finding the gesture - the essence of the pose. So, instead you want to put down as much information about the pose as you can with as few lines as possible! The less time you have to draw something, the less detail you can put down.
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